The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
Sizes 7/16, 3/8, and 5/16, which are the C up to an including the D, Eb ,E, and F keys on the saxophone come in FLAT profile only for all domed and flat sets. This is due to limitations in the manufacturing process for these small pieces. There is no discernible difference in sound.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
Sizes 7/16, 3/8, and 5/16, which are the C up to an including the D, Eb ,E, and F keys on the saxophone come in FLAT profile only for all domed and flat sets. This is due to limitations in the manufacturing process for these small pieces. There is no discernible difference in sound.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
Sizes 7/16, 3/8, and 5/16, which are the C up to an including the D, Eb ,E, and F keys on the saxophone come in FLAT profile only for all domed and flat sets. This is due to limitations in the manufacturing process for these small pieces. There is no discernible difference in sound.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
Sizes 7/16, 3/8, and 5/16, which are the C up to an including the D, Eb ,E, and F keys on the saxophone come in FLAT profile only for all domed and flat sets. This is due to limitations in the manufacturing process for these small pieces. There is no discernible difference in sound.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
Sizes 7/16, 3/8, and 5/16, which are the C up to an including the D, Eb ,E, and F keys on the saxophone come in FLAT profile only for all domed and flat sets. This is due to limitations in the manufacturing process for these small pieces. There is no discernible difference in sound.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
Sizes 7/16, 3/8, and 5/16, which are the C up to an including the D, Eb ,E, and F keys on the saxophone come in FLAT profile only for all domed and flat sets. This is due to limitations in the manufacturing process for these small pieces. There is no discernible difference in sound.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
Sizes 7/16, 3/8, and 5/16, which are the C up to an including the D, Eb ,E, and F keys on the saxophone come in FLAT profile only for all domed and flat sets. This is due to limitations in the manufacturing process for these small pieces. There is no discernible difference in sound.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
Sizes 7/16, 3/8, and 5/16, which are the C up to an including the D, Eb ,E, and F keys on the saxophone come in FLAT profile only for all domed and flat sets. This is due to limitations in the manufacturing process for these small pieces. There is no discernible difference in sound.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
Sizes 7/16, 3/8, and 5/16, which are the C up to an including the D, Eb ,E, and F keys on the saxophone come in FLAT profile only for all domed and flat sets. This is due to limitations in the manufacturing process for these small pieces. There is no discernible difference in sound.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
Sizes 7/16, 3/8, and 5/16, which are the C up to an including the D, Eb ,E, and F keys on the saxophone come in FLAT profile only for all domed and flat sets. This is due to limitations in the manufacturing process for these small pieces. There is no discernible difference in sound.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
Sizes 7/16, 3/8, and 5/16, which are the C up to an including the D, Eb ,E, and F keys on the saxophone come in FLAT profile only for all domed and flat sets. This is due to limitations in the manufacturing process for these small pieces. There is no discernible difference in sound.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
Sizes 7/16, 3/8, and 5/16, which are the C up to an including the D, Eb ,E, and F keys on the saxophone come in FLAT profile only for all domed and flat sets. This is due to limitations in the manufacturing process for these small pieces. There is no discernible difference in sound.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
Sizes 7/16, 3/8, and 5/16, which are the C up to an including the D, Eb ,E, and F keys on the saxophone come in FLAT profile only for all domed and flat sets. This is due to limitations in the manufacturing process for these small pieces. There is no discernible difference in sound.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
Sizes 7/16, 3/8, and 5/16, which are the C up to an including the D, Eb ,E, and F keys on the saxophone come in FLAT profile only for all domed and flat sets. This is due to limitations in the manufacturing process for these small pieces. There is no discernible difference in sound.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
Sizes 7/16, 3/8, and 5/16, which are the C up to an including the D, Eb ,E, and F keys on the saxophone come in FLAT profile only for all domed and flat sets. This is due to limitations in the manufacturing process for these small pieces. There is no discernible difference in sound.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
Sizes 7/16, 3/8, and 5/16, which are the C up to an including the D, Eb ,E, and F keys on the saxophone come in FLAT profile only for all domed and flat sets. This is due to limitations in the manufacturing process for these small pieces. There is no discernible difference in sound.