The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.
The brightest sound. The most edge. Rich sound but presents a noticeably more edgy sound than bass or silver. Great for R and B, rock set-ups. Also great for mainstream jazz for more power - in combination with a lower baffle, traditional type big bore mouthpiece.